By Bobby Tanzilo Senior Editor/Writer Published Jun 28, 2015 at 12:56 AM Photography: David Bernacchi

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How on Earth does one explain the ongoing success of The Flaming Lips?

Don't get me wrong, frontman Wayne Coyne and company make interesting and engaging music and put on a hell of a show, but since when has that been enough?

Hailing from Oklahoma City, the band spent the '80s playing the indie club circuit, building a following devoted to the group's quirky music and theatrical (puppets!) performances, before striking gold with "She Don't Use Jelly," in the heart of the "alternative rock" explosion of the early 1990s.

But "Jelly" could have been a novelty, an exception, and it took six more years for The Flaming Lips to crack open the mainstream consciousness once again, this time with "The Soft Bulletin," an album full of irresistible pop songs rendered in lush strokes.

The single, "Waiting for Superman" caught on and the record was a hit, especially in Britain. It's follow-up, "Yoshimi Battles the Pink Robots" dished up the title track and "Do You Realize??" in 2002 and cemented the band's success, as did "At War With the Mystics" four years later.

But in the decade since, the band has only issued two "traditional" (for lack of a better word) albums – 2009's "Embryonic" and 2013's "The Terror" – amid a flurry of engaging and interesting electronic music film scores, complete re-recordings of Pink Floyd's "Dark Side of the Moon" and The Beatles' "Sgt. Pepper's Lonely Hearts Club Band" and a pair of releases made with the band's "fwends."

A (seemingly unlikely) collaboration with Miley Cyrus is apparently in the works.

Challenging, groundbreaking, explorational, risk-taking ... yes, all of the above. But as a recipe for pop success, it seems like suicide.

And yet...

While the BMO Harris Pavilion was definitely not packed to capacity Saturday night there was a huge crowd on hand to see The Flaming Lips bring the party outside.

Every gig is definitely a party, with everything from streamers to confetti to inflatable figures and more. Despite the fact that a computer problem led the band to take the stage nearly a half-hour late, no one seemed to mind much.

If there was any question about whether or not the Lips' transcendent performances would work outdoors, Coyne and his bandmates put it to rest quickly at the get-go. Opening with "The Abandoned Hospital Ship," The F-Lips treated the first song as if it were the last – the grand finale.

There were inflatable mushrooms and and a rainbow – suits occupied by people – glow in the dark balloons and big inflated balls bubbling up and down over the crowd, confetti and streamers rained down and a psychedelic video showed played on the screen behind the band.

At the end of the tune, Coyne brought out a huge silver mylar balloon in the shape of the words "F*ck Yeah Summerfest."

When an inflatable Santa was joined by an equally puffy catfish and, I think, lizard, it became clear that every song was going to seem like a finale.

Even when things got quiet between songs or when the band jammed while Coyne prepared his next feat – like crowd surfing and singing "Vein of Stars" inside an enormous transparent ball – the crowd was rapt.

The only hiccup – other than that computer – was when, a few lines into "Yoshimi," one of two inflatable butterflies went limp. The band stopped for an uncomfortably long period of time, seemingly unable to continue.

But Coyne used it as an opportunity to fire up the faithful, urging them to "root for the butterfly," leading the audience to chant, "butter-fly! butterfly!"

"If we would've continued," Coyne explained before striking up the tune again, "it would've made the song seem like we're gonna be defeated. We're not gonna be defeated. This is our triumphant song."

And, there you have it. Take some triumphant songs – especially ones that are often liltingly beautiful – add a non-stop party (oh, and a little weed, too, apparently) and that is how The Flaming Lips do it.

Setlist:

The Abandoned Hospital Ship
Fight Test 
She Don't Use Jelly 
The Yeah Yeah Yeah Song (With All Your Power)
Pompeii Am Götterdämmerung
Psychiatric Explorations of the Fetus With Needles 
Yoshimi Battles the Pink Robots, Pt. 2
Feeling Yourself Disintegrate
Vein of Stars
Butterfly, How Long It Takes to Die
The W.A.N.D. 
A Spoonful Weighs a Ton 

Encore:
Do You Realize??

Bobby Tanzilo Senior Editor/Writer

Born in Brooklyn, N.Y., where he lived until he was 17, Bobby received his BA-Mass Communications from UWM in 1989 and has lived in Walker's Point, Bay View, Enderis Park, South Milwaukee and on the East Side.

He has published three non-fiction books in Italy – including one about an event in Milwaukee history, which was published in the U.S. in autumn 2010. Four more books, all about Milwaukee, have been published by The History Press.

With his most recent band, The Yell Leaders, Bobby released four LPs and had a songs featured in episodes of TV's "Party of Five" and "Dawson's Creek," and films in Japan, South America and the U.S. The Yell Leaders were named the best unsigned band in their region by VH-1 as part of its Rock Across America 1998 Tour. Most recently, the band contributed tracks to a UK vinyl/CD tribute to the Redskins and collaborated on a track with Italian novelist Enrico Remmert.

He's produced three installments of the "OMCD" series of local music compilations for OnMilwaukee.com and in 2007 produced a CD of Italian music and poetry.

In 2005, he was awarded the City of Asti's (Italy) Journalism Prize for his work focusing on that area. He has also won awards from the Milwaukee Press Club.

He has be heard on 88Nine Radio Milwaukee talking about his "Urban Spelunking" series of stories, in that station's most popular podcast.